ISEA2015

Co-Chair, Sonic Environments (www.sonicenvironments.org)

Teresa Connors is active as an acoustic/electroacoustic composer, opera singer, film scorer, and multimedia installation artist. She is currently completing a practice- based PhD at Waikato University that includes developing new techniques and methodologies for multimedia collaborations. Teresa holds a Master of Music degree (1st class honours) in composition from Waikato University and studied both composition and opera singing at Dalhousie... Read More →

Dr. Ricardo Dal Farra is professor of electroacoustic music and media arts at Concordia University, Canada and director of the Electronic Arts Research Centre (CEIArtE) at the National University of Tres de Febrero, Argentina. |  He has been director of Hexagram, the Centre for Research-Creation in Media Arts and Technologies, Canada; researcher on electroacoustic music and media arts history for UNESCO, France; director of the Multimedia... Read More →

Dr Sabine Feisst is Professor of Musicology and Senior Sustainability Scholar at Arizona State University’s School of Music and Global Institute of Sustainability. Focusing on twentieth and twenty-first century music studies, she published the monographs Der Begriff ‘Improvisation’ in der neuen Musik (Studio Verlag, 1997) and Schoenberg’s New World: The American Years (Oxford University Press, 2011) which won the Society for American... Read More →

Associate Professor, German Studies, Film and Media Studies, Arizona State University | Gilfillan’s research engages the relationships between sound, media, and the perception of experience. He has published widely on German and Austrian radio and sound art, and on the history of the radio in Germany as an experimental art medium (Pieces of Sound: German Experimental Radio, Minnesota, 2009). He is currently working on a volume Sounding Out... Read More →

Garth is particularly fascinated with sound as an experiential medium, both in musical performance and as an exhibitable object. This passion has led to several interactive responsive environments where the inhabitant generates the sonic landscape through their presence and behaviour. Garth has composed several music scores for dance generated through video tracking of the choreography, and more recently using Bio-Sensing on the dancers body. His... Read More →